thank you! this is very sweet
and since i have them around, two little drawings of eshiel ‘s cutie charas ginny penny and rival i’ve done recently!
yess i just put a little bit of honey in at the end after the sugar! its great!
the cookies are plain except for a little vanilla and the gel food coloring bc I actually really like the plain almond and sugar taste, but the buttercream in the middle is honey buttercream yuumm
I tried making macarons for the second time, they’re not exactly even but they taste pretty good! oh and the middle is a honey buttercream uqu
Let us be vividly clear about this.
What the New York Times did to Michael Brown today was not merely slander. It wasn’t a case of a lack of journalistic integrity.
Highlighting that a black teenager was “no angel” on the day he is being laid to rest after being hunted and…
you know the drill, a warmup and a little drawing i did last night before bed, sunny + galo
I was asked to create a .gif of a house interior during an earthquake. The article chronicles the controversial aftermath of the devastating quake that happened in L’Aquila, Italy in 2009. I wanted to capture the movement of the “tremors” before the full-on earthquake, although this tremor is infinite, never resolving.
This image and the all the animation was made in Photoshop. thanks AD Erich Nagler!
Rebecca is amazing!
two little warmups from this week, ive been a bit underproductive oops…
In comics, the “story” isn’t the words in the balloon, and the storyteller isn’t just the person deciding on plot elements. Storytelling comes from the artist/s of the comic as well as the writer/s of the comic.
The best way to explain storytelling to comics readers is to instruct the student to read “NEW X MEN,” sometimes erroneously called “Grant Morrison’s X-Men.”
The comic had one writer and several artists. The comic’s clarity and stability corresponds heavily with which of these artists has joined up for whichever storyline is going on. Grant Morrison, for all of his talent, isn’t in control of the storytelling as much as some people give him credit for. The issues that people like are the issues that Frank Quitely drew. The common denominator is Frank Quitely’s ability to convey what is needed, not Grant Morrison having a good or bad streak.
In this way, the person drawing the story is controlling the story in ways that the writing collaborator doesn’t control the story.
I FIND IT ODD that in comics, where visual style is so identifiable and individual, the artists are considered a lesser element of authorship than the writers. In film, a director exerts far less proportionate control over a project’s outcome and yet enjoys (or suffers) the overwhelming percentage of the credit (or blame).
ALL POWER TO THE PEOPLE.